mario mainetti fondazione prada | GERMANO CELANT’S CURATORIAL METHOD mario mainetti fondazione prada The three artists shares their experiences and ideas that inspired the projects presented in Milan between 1998 and 2007. The talk is moderated by Mario Mainetti, Fondazione Prada’s Head . 3-POSITION LEVER. 2-POSITION REMOTE. SPECS & FAMILY FEATURES. NEW graphics. NEW metric or trunnion-style remote shock offerings. DPS damper with three positions - Open, Medium, Firm modes. Dual Piston valve design improves both rebound and compression flow. Lightweight, one-piece EVOL air sleeve improves .
0 · Stop Painting – Derosia
1 · Stop Painting
2 · STOP PAINTING – Fondazione Prada
3 · STOP PAINTING AN EXHIBITION BY PETER FISCHLI
4 · Goshka Macuga: Before the Beginning and after the End:
5 · Goshka Macuga: Before the Beginning and after the End
6 · Goshka Macuga: Before the Beginning and After the End
7 · Goshka Macuga — 2x4
8 · GERMANO CELANT’S CURATORIAL METHOD
9 · Fondazione Prada – Before the beginning and after the end
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Goshka Macuga. Before the Beginning and After the End: Goshka Macuga edited by Mario Mainetti for Fondazione Prada serves as a conceptual atlas of the Macuga’s work to date. A .
Goshka Macuga: Before the Beginning and after the End. Edited by Mario Mainetti. Foreword by Miuccia Prada. Text by Rosi Braidotti, Elena Filipovic, Ariane Koek, .“Stop Painting” is an exhibition conceived by artist Peter Fischli on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November .The three artists shares their experiences and ideas that inspired the projects presented in Milan between 1998 and 2007. The talk is moderated by Mario Mainetti, Fondazione Prada’s Head .
Associate Editors: Chiara Costa, Mario Mainetti Foreword by Miuccia Prada e Patrizio Bertelli; essays by Diedrich Diederichsen, Eva Fabbris, Arthur Fink, Peter Fischli, Mark Godfrey, Boris .Fondazione Prada. 2016. Polish-born, London-based Goshka Macuga (born 1967) adopts the roles of an artist, curator, collector, researcher and exhibition designer, working across a .Fondazione Prada – Before the beginning and after the end. Edited by Mario Mainetti; Associate Editors: Chiara Costa, Carlo Barbatti Foreword by Miuccia Prada and Patrizio Bertelli; essays . The volume is edited by Mario Mainetti and includes original essays along with an anthology of texts by the artist published for former projects.
Conversation between Peter Fischli and Mario Mainetti. Peter Fischli’s creatively conceived history of the crises of painting over the past 150 years. Conceived by artist Peter .“Stop Painting” is an exhibition conceived by artist Peter Fischli on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November .On 8, 9, 15, 16, 22 and 23 September 2017, Fondazione Prada's Cinema will be open till 4.30pm for the technical rehearsals for "Maratone TV70", which will start at 6pm. Attendance to the Maratone is free, pending availability. Related events; .
And that, Fondazione Prada curator Mario Mainetti, informs me, is exactly the point. “It’s a nod to the first venue of the Habsburgs’ collection – the castle of Ambras, near Innsbruck, where they built a new building to house their pieces; it was kind of the first museum.” A new section, meanwhile, conceived specifically for the Milan .Preface by Miuccia Prada and Patrizio Bertelli, texts by Germano Celant and Malcolm Gladwell, interview by Germano Celant with Tom Sachs, biographical and bibliographical notes by Antonella Soldaini and Lisa Panzera with Yara Flinn and Mario Mainetti, graphic design by 2x4. Italian/English edition. Format 24x31 cm, hardcover, pp. 560, ill. 439.Fondazione’s presidents Miuccia Prada and Patrizio Bertelli, a preface by Luc Tuymans, a conversation between Tuymans and associate curator Mario Mainetti and essays by scholars Ken Pratt, Lucia Simonato and Éric Suchère. Press contacts Fondazione Prada T +39 02 56 66 26 34 [email protected] fondazioneprada.orgEditor: Nicholas Cullinan Associate editors: Niccolò Gravina, Mario Mainetti Texts by Thomas Aquilina, Nancy Berliner, Francesca Berry, Nicholas Cullinan, Whitney Davis, Frank Feltens, Wu Hung, Ido Misato, Paul B. Preciado, Ana Zabía and Siegfried Zielinski Interviews by Nicholas Cullinan, Niccolò Gravina, Mario Mainetti with Tony Cokes, Cao Fei, Wade Guyton, Anthea .
Now on view at Milan’s Fondazione Prada is an exhibition conceived by Wes Anderson and Juman Malouf, entitled “Il sarcofago di Spitzmaus e altri tesori,” (“Spitzmaus Mummy in a Coffin and Other Treasures”).The show, presented with the support of Kvadrat, dives into an exploration of the reasoning behind creating a collection and the ways in which it is .
FONDAZIONE PRADA PRESENTS THE EXHIBITION “HUMAN BRAINS: IT BEGINS WITH AN IDEA” IN VENICE FROM 23 APRIL TO 27 NOVEMBER 2022 Venice, 20 April 2022 — “Human Brains” is the result of an intensive investigative process undertaken since 2018 by Fondazione Prada in the field of neuroscience, driven by a deepFondazione Prada 2016. Back. . The volume is edited by Mario Mainetti and includes original essays along with an anthology of texts by the artist published for former projects. Format: Paperback Dimensions: 8.3 x 11.4 inches Pages: 300 .Mario Mainetti (Head of Research and Publications, Fondazione Prada) 2.30—3:30 PM. Everyone’s talking about. its high time to do something about it Bjorn Stevens (Director, Max Planck Institute for Meteorology, Hamburg) 3:30—4 PM. Thinking with the Elements Macarena Gomez-Barris (Chair of Modern Culture and Media, Brown University .
Stop Painting – Derosia
“Here at the Fondazione we almost doubled its size, including a wider selection of artworks,” explained Fondazione Prada curator Mario Mainetti, who, together with Kunsthistorisches’s . The project is completed by an artist’s book published by Fondazione Prada. The publication takes the form of a box including drawings, reproductions and various materials, and elaborates the idea of the portable museum and the personal collection, referring to Marcel Duchamp’s Boîte en-valise as its inspiration.
Edited by Salvatore Settis, Anna Anguissola, Davide Gasparotto Associate editors: Chiara Costa, Lucia Franchi Viceré, Mario Mainetti. Preface by Miuccia Prada and Patrizio Bertelli; introductory essay by Salvatore Settis; texts by Anna Anguissola, Michael Bennett, Vinzenz Brinkmann, Kathleen W. Christian, Maurizio Ferraris, Daniela Gallo, Davide Gasparotto, Carlo Gasparri, .
Formed in 1993, the Fondazione Prada has served as a platform to support and encourage the appreciation of contemporary art exhibitions, architecture, cinema, as well as philosophy, much like a symposium in Ancient Greece. . Mario Mainetti and Alessia Salerno, the Thought Council, a group whose members will vary over time and founded by . La Specola di Firenza|David Cronenberg. An image-text dialogue between David Cronenberg’s vision of the human body and wax models from a legendary Italian science museum . Published by Fondazione Prada, 2024. Edited by Mario Mainetti. Introduction by Miuccia Prada, Marco Benvenuti, David Cronenberg. Text by Roberta Ballestriero, Paul Brown, Riccardo .Goshka Macuga. Before the Beginning and After the End: Goshka Macuga edited by Mario Mainetti for Fondazione Prada serves as a conceptual atlas of the Macuga’s work to date. A nontraditional monograph that seeks to map the artist’s mind, the book is highly diagrammatic and infographic based.
Goshka Macuga: Before the Beginning and after the End. Edited by Mario Mainetti. Foreword by Miuccia Prada. Text by Rosi Braidotti, Elena Filipovic, Ariane Koek, Lawrence M. Krauss, Dieter Roelstraete, Michael Taussig. Polish-born, London-based Goshka Macuga (born 1967) adopts the roles of an artist, curator, collector, researcher and .“Stop Painting” is an exhibition conceived by artist Peter Fischli on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.The three artists shares their experiences and ideas that inspired the projects presented in Milan between 1998 and 2007. The talk is moderated by Mario Mainetti, Fondazione Prada’s Head of Research and Publications. Watch the full video of the event
Associate Editors: Chiara Costa, Mario Mainetti Foreword by Miuccia Prada e Patrizio Bertelli; essays by Diedrich Diederichsen, Eva Fabbris, Arthur Fink, Peter Fischli, Mark Godfrey, Boris Groys, John Kelsey, Sarah Lehrer-Graiwer e Hanna MagauerFondazione Prada. 2016. Polish-born, London-based Goshka Macuga (born 1967) adopts the roles of an artist, curator, collector, researcher and exhibition designer, working across a variety of media to explore how and why we remember both cultural and personal events.Fondazione Prada – Before the beginning and after the end. Edited by Mario Mainetti; Associate Editors: Chiara Costa, Carlo Barbatti Foreword by Miuccia Prada and Patrizio Bertelli; essays by Rosi Braidotti, Elena Filipovic, Ariane Koek, Lawrence . The volume is edited by Mario Mainetti and includes original essays along with an anthology of texts by the artist published for former projects.
Conversation between Peter Fischli and Mario Mainetti. Peter Fischli’s creatively conceived history of the crises of painting over the past 150 years. Conceived by artist Peter Fischli for Fondazione Prada’s Venice premises, Stop Painting investigates the persistence of painting in the 21st century. Described by Fischli as “a kaleidoscope .
Stop Painting
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STOP PAINTING – Fondazione Prada
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mario mainetti fondazione prada|GERMANO CELANT’S CURATORIAL METHOD
