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It’s a warm day in late May, and at the headquarters of Hermès in Paris, Nadège Vanhée-Cybulski, the head of womenswear, is presenting her SS22 collection to the global .Nadège Vanhée studied at the Royal Academy of Fine Arts of Antwerp. She was the design director at the Olsen twins' brand, The Row, and also worked at Céline and Maison Martin Margiela. In June 2014, she was appointed artistic director of Hermès' women ready-to-wear, replacing Christophe Lemaire. In March 2015, she presented her first collection, and stayed close to the brand's roots by choosing an equestrian theme.
Nadège Vanhée left New York for Paris 10 years ago. She was a design director at The Row when Hermès called with the kind of offer you don’t say no to: the artistic director of women’s . When Nadège Vanhée-Cybulski, artistic director of Hermès’s womenswear, was 19—or maybe 21; those years, she says, are a bit blurry—she put together a look she was . When she was appointed creative director for women’s ready-to-wear at Hermès, in 2014, replacing Christophe Lemaire, Vanhée-Cybulski was so unknown to the outside world . Cathy Horyn interviews Nadège Vanhee-Cybulski of Hermès ahead of the fall 2020 season. They discuss the future of the industry, how fashion might change in response to the global pandemic, protests against systemic racism, .
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According to Nadège Vanhée, the artistic director of women’s wear at Hermès, rock stars were her first brush with the fashion world. As suspected, former Céline and The Row designer Nadège Vanhee-Cybulski has been installed at the creative helm of Hermès. The French-born talent succeeds Christophe . “Speed, sexiness and sportiness” defines Hermès’s autumn/winter 2022 collection, according to Nadège Vanhee-Cybulski. Here, five things to know about the show. PARIS — Opting for a behind-the-scenes talent, Hermès International said Thursday it has tapped Nadège Vanhee-Cybulski as artistic director for women’s ready-to .
“Speed, sexiness and sportiness” defines Hermès’s autumn/winter 2022 collection, according to Nadège Vanhee-Cybulski. Here, five things to know about the show. 1/5. The collection was founded in the equestrian wardrobe “It’s the same old thing,” Nadège Vanhee-Cybulski joked backstage before her show, which revolved around the . Nadège Vanhée arrives at the Hermès headquarters in Paris cheeks aflush, her mass of Venetian blonde locks windswept. The last time we sat down for a Vogue Arabia interview, some years ago, she wore the wistful daze of a new mother in the throes of newborn love.Now, her baby is a toddler, and à propos, she is something of a woman on the run, .
As suspected, former Céline and The Row designer Nadège Vanhee-Cybulski has been installed at the creative helm of Hermès.The French-born talent succeeds Christophe Lemaire, who departed the house after four years earlier this week. "Her talent and her creative track record will be great assets in the continued development of women's ready-to-wear," .Autant de raisons d’interviewer Nadège Vanhée‑Cybulski, la directrice artistique des collections femme de la maison Hermès. Portrait de celle qui dessine les contours de femmes souveraines et libres. 24.10.2018 by Adrienne Ribes-Tiphaine. Tags. femmes. Recommandé pour vous. Hermes’ gentle geometry. Nadège Vanhee-Cybulski’s Hermès collection reimagined spring with a palette of warm golden beiges and earthy autumnal hues, a bold choice that immediately set the collection apart. Gentle geometry shaped the garments — myriad squares and architectural forms that fused seamlessly with Hermès’ signature minimalism. Then comes the cut, with volumes informed by gestures: “Zipping a collar, a skirt, buckling an overcoat, tightening the cords on a rain jacket,” Vanhee says. The action comes before the image. Born in 1978 in northern France, Vanhee made her debut at Martin Margiela, then at Celine under Phoebe Philo, before joining The Row in New York.
Nadège Vanhee-Cybulski is a hugger. While she took the confinement period in stride—revisiting her old sketchbooks and notes-to-self from her time at the Royal Academy of Fine Arts in Antwerp . The Hermès Spring 2021 collection by Nadège Vanhée-Cybulski, shown at the Tennis Club in Paris, proposes a new beginning through timeless reinvention. Fashion; Beauty; Culture; Video; . Vanhée-Cybulski proposed 45 looks that offered a study on freedom, reinvention, and connection. Instantly the eye was drawn to the seductive, hip-skimming .
When Nadège Vanhée-Cybulski was named artistic director of Hermès’s women’s ready-to-wear in 2014, it was noteworthy. In a challenging time for the luxury market—particularly the French luxury market—such a decision at a major heritage house is always going to generate headlines. But in this case, the industry was as much struck by .
Nadège Vanhee-Cybulski was looking for a certain Hermès essentialism for fall—and somehow, among the thicket of upended show-jumping poles, two live topics of the season seemed to click together. Nadège Vanhee-Cybulski went that way for fall—joining, in her own way, the female-gaze point of view on the subject of skin exposure that’s coming from a rising generation of women designers . Discover the latest news, insight and analysis about Nadège Vanhee-Cybulski on The Business of Fashion. Our articles offer comprehensive coverage of industry leaders, including companies and individuals, and their impact on the fashion, luxury and beauty industries. Hermès artistic director Nadège Vanhée titled her spring 2025 collection “Inside the Workshop,” a nod both to the incredible leather craftsmanship that takes place in the ateliers of the .
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